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IntroductionOverviewBasic TrainingSpecialized Training1st year: Elementary course2nd year: Painting course3rd year: Final CourseMaster Training4th year: Master Classes5th year: Project YearTeaching times and materialsDidactic model and learning outcomesParticipation and conditionsRegistration for Basic TrainingRegistration for Master TrainingSummer AcademyContactAgendamenu item ukmenu item ukmenu item ukmenu item ukAanmelding

II - Painting course

This course is not called the ‘Klassieke Academie for painting‘ for nothing.In the second year, the basic principles will be applied to the goal of the professional training – painting.

Second year

Painting is approached in a number of different ways – in relation to knowledge of the materials, to spatial illusion, to humans and animals, to direct and indirect techniques from transparent to covering techniques. This year, just like the first, is divided into two blocks, each followed by an individual discussion of the work.

Painting and the materials
In all traditional professions, knowledge of the materials to be used and their properties is very important. This knowledge will be presented during the painting lessons in a mix of practical and theoretical forms, whereby the actual painting process itself will reveal the properties of the material in use, its possibilities and its limitations. By varying the material, a wide knowledge will be built up in an enjoyable way.

Chris Herenius
Chris Herenius

The classes in this section will concentrate on the physical craft – painting with the emphasis on knowledge of the materials. The following subjects will be dealt with:
 the various media and their suitability or unsuitability
 the various types of paint and their properties

Spatial illusion
Painting landscapes, still lives, etc. in alla prima (wet-on-wet painting)

Joost Doornik
Joost Doornik

The classes in this section deal with the creation of a spatial illusion using paint.  It is painting with the emphasis on direct painting techniques, as well as special attention to the use of perspective.


Painting landscapes, still lives, etc. in different layers (layered painting)

Peter Durieux
Peter Durieux

As above, but now using a completely different painting technique: layer by layer. The emphasis here is on both three-dimensionality and composition.

Figurative painting
Painting people and animals.

 Asaph ben Menahem
Asaph ben Menahem

Studying form using a live model is here translated to painting. Points of interest include the suggestion of plasticity, and painting how light falls on hair and skin.

Art history
(completing the art-historical overview) by

Miranda van Gelderen
Miranda van Gelderen

The history of art in the 20-the century until the present

Graphics workshops
Introductions to the most important graphics technologies.

Workshops will be organized as follows:

Siemen Dijkstra
Siemen Dijkstra

woodcuts and linocuts

Reinder Homan
Reinder Homan

etching

Wim Jonkman
Wim Jonkman

lithography

Each workshop will be an introduction to a graphic art technique and its possibilities. They will take place within a limited period of time outside the Academie itself, for example in the Grafisch Centrum Groningen.

If a student wants to continue learning about one of the techniques, there are courses available at the Grafisch Centrum. It is also possible to arrange with the Grafisch Centrum to produce series of works using their facilities



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IntroductionOverviewBasic TrainingSpecialized Training1st year: Elementary course2nd year: Painting course3rd year: Final CourseMaster Training4th year: Master Classes5th year: Project YearTeaching times and materialsDidactic model and learning outcomesParticipation and conditionsRegistration for Basic TrainingRegistration for Master TrainingSummer AcademyContactAgendamenu item ukmenu item ukmenu item ukmenu item ukAanmelding
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